Quatre ans nous séparent du dernier effort de KINGDOM COME, ou plutôt du maître à bord Lenny WOLF.
Une vraie explosion artistique, très travaillée, le magicien WOLF ayant passé 18 mois sur son œuvre, d’une maîtrise musicale hors norme et pour un résultat simplement extraordinaire !!!
4 years separate us from the last effort of KINGDOM COME, or rather from the master on board Lenny WOLF. We do not take into account here Rendered Waters which is a compilation of titles re-recorded again with 2 new compositions and which was released in 2011. After Ain’t Crying For The Moon in 2006, which already saw taking shape the musical and artistic evolution of Mr. WOLF, with hallucinating titles of melancholy and near experimental music, all this work of silversmith in composition was glorified by the masterpiece Magnified in 2009. You need to be really in love of the way of seeing the Lenny WOLF’s music because there was in this record a whole concept of writing from this musical genius as the man has the multiple abilities and turned us into stunning feelings! Then today with Outlier, it is the continuity in the positive sense of the term, because the German always brings out paths commercially beaten to invite us in the musical universe which he created. To describe this is to enter into another dimension where the atmospheres, the riffs, the diverse tones with the drums as an oiled metronome hammers every second these songs, filled with feeling, with here and there the craziness from the musical master. Lenny WOLF owns this very natural art to be able to write us poignant melodies, finally always enhanced by an almost industrial sound or sometimes filled of with this hard-hitting density, balanced by the sweetness and the melancholy of his so particular voice. It’s a real prowess! Listen to this God Does Not Sing Our Song's intro in detail: we turn pale with it! With always this hallucinating drums, heady, these sometimes very typical musical distortions (Running High Distortion, Rough Ride Rallye), these devastating riffs where sometimes appear keyboards out of nowhere, to hear finally the VOICE of the master: here is in summary what we can assert on this extremely beautiful Outlier. There is as well this enormous song The Trap Is Alive, more classic, in the full measure of the temperament on the rock of KINGDOM COME: big guitars, crazy rhythm, with still these incredibly powerful drums. The melancholic songs Don’t Want You To Wait or When Colors Break The Grey also are there to be told, for their very elaborate sounds and of the most beautiful effect with very special keyboards in duet with the rhythm of the drums, who don’t decrease. Certainly it is not directly listenable, but for those who followed the musical progress of Lenny WOLF and who were torn on Ain’ Crying For The Moon then on Magnified, this new opus will consolidate their attraction, and for the others, it will be a true discovery.
The real artistic, elaborate explosion, the magician WOLF having spent 18 months on his work, of an exceptional musical control and for a simply extraordinary result!!!
Label : SPV
Sortie : 26 avril 2013
Production : Lenny WOLF
Kingdom Come (1988)
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